For the moment›On Holiday
For the moment · 18+

On Holiday

You're already somewhere else. The story just has to come along.

On holiday you read differently: longer, slower, with a view of the water. The stories here themselves take place in places you travel to, on a night train, at a country hotel in Tuscany, in a summer house on the Cornish coast, at a ball in Venice. They have limited time, a weekend, two weeks, one night, just like you. And they end before the suitcase is packed again.
The Train to VeronaSample fromThe Train to VeronaYou play Jana, 29 · Romance
What it is about

On Holiday

A holiday has a beginning and an end, and the best holiday stories do too. Twelve hours in a train compartment. Three days at a wedding. Two weeks in a summer house that was supposed to be empty. The limit isn't a drawback; it's why everything counts faster. You know the trip will end, and that's exactly why you say things you'd never say at home. The stories on this page take place where you may be sitting right now, or where you'd rather be.

"The Train to Verona" begins with a double booking and a stranger who smiles too well; twelve hours with no exit. In "The Last Frontier" you travel as a photographer to your best friend's wedding at a country hotel in Tuscany and meet her brother, whom you kissed eight years ago. "Summer House on the Cornish Coast" is August heat, two weeks of togetherness, and a man who should never have been yours. In Venice you dance in "The Mask of the Signorina" for one night under a false name with the host of a palazzo. In the summer of 1913 you are sent to the Waldesruh spa hotel, and the assistant doctor prescribes contradiction. And in "Two Weeks at the Lake" you have to close down a holiday house with your stepbrother, after five years of silence, in a summer that lies oppressively humid over the lake.

On Everglow a story fits into a holiday because it takes your pace. You read a chapter on the beach, make your move, put the phone away and find the story in the same spot after your swim. The characters remember what you said in the morning, and in the evening the story answers. A season closes comfortably inside two weeks, and once you're home you can decide whether there's a second. You set the intensity depending on who's on the next sun lounger.

How it begins

Reading sample: The Train to Verona

Chapter 1 of “The Train to Verona”, the way a reader opens it for the first time. Then it’s her move.

The Train to VeronaChapter 1

My phone has been off since Munich. I didn't turn it off to avoid reading his messages, but to see if I could stand it. The compartment is small, the light yellow, and I have both seats to myself. Until the door opens.

I have just taken off my shoes when the door slides open.

He holds up a ticket. Same carriage, same compartment, same seat. He looks at the number, then at me, then at the number again, and he smiles as if this is the best thing that has happened to him all week. It is a very good smile. That is the first thing I don't trust about him.

“The conductor says it's a system error,” he says. “He also says there isn't another berth until Munich, which is at two in the morning, which is not, in his view, his problem.”

“So you're staying.”

“So I'm asking.” He hasn't stepped over the threshold. His bag is still in the corridor, and he waits with his hand on the door frame like a man who has been told no before and survived it.

I look at the dark window, at the folded blanket, at the empty seat across from mine. Twelve hours. No stop I'd want to get off at. And a stranger whose name I don't know, whose smile is a little too well rehearsed, who has just turned down the chance to sit without asking. The train jolts, and he catches the frame, and somewhere behind him the corridor lights flicker as if the whole carriage is waiting for my answer.

Your move.
Stories for this

On Holiday

Every story begins with a role that is already set and a world that waits for you. Everything else is your call.

See all stories › · Or build your own world: your characters, your place, your rules. Start your own world ›

Related tropes

If you like this

Common questions

In short

Can I start a story on holiday and finish it at home?

Yes. The story waits wherever you stopped, whether that was on the beach or at the kitchen table. The characters still know what you said in the sun.

Do I need a lot of data while travelling?

No. A chapter is text of 400 to 500 words, and nothing more is loaded. The weakest connection on the beach is enough for a chapter.

Are holiday stories shorter than others?

Not necessarily, but they come with a built-in deadline: twelve hours, three days, two weeks. That gives them a pace that suits a holiday and an ending you can see before you leave.

Your journey

Twelve hours. One compartment. Wrong ticket.

In “The Train to Verona” the stranger has a ticket for your seat and no intention of moving. What you say to him decides how long the night becomes.

Begin “The Train to Verona”All stories

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