Amnesia is the most radical form of trust: You have to believe the people who tell you who you are – and your body might contradict them.
Sample fromThe Harbor City and the ForgottenIn "The Harbor City and the Forgotten," you wake up after fourteen months in a hospital in Trieste. A man sits by your bed, patient, caring – he says he's your husband. You don't know him. But your heart beats faster when he enters the room, and your fingers reach for his wrist as if they know something your mind can't grasp. That's the eerie side of amnesia: your body remembers before you do.
What makes this trope so special is the distrust you have to develop toward yourself. You find notes in your own handwriting that tell a completely different story than the one your "husband" presents to you. A friend drops hints that call everything into question. You start walking through the winding alleys of Trieste, searching for a café, a scent, a sentence that will reveal the truth. You can't trust anyone – not even yourself.
At Everglow, you decide who to trust. In each chapter, you choose whether to follow your body's clues or the words of the people around you. Whether to take the notes of your former self more seriously than the tenderness of the man who visits you every day. You are not just the lost one – you are the investigator of your own life. And every decision can bring back the memory or bury it forever.
Every story begins with a role that is already set and a world that waits for you. Everything else is your call.
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You set the heat yourself, from implied to explicit, and can change it in any story. What you don’t want doesn’t happen: your character keeps her boundaries.
Amnesia means the main character has lost her memory and can no longer access her own past. In love stories, this creates a double tension: you not only have to find out what happened, but also whether the love you're being told about was really yours.
With second chance, you know exactly why it went wrong back then – you have the memory of the pain. With amnesia, that memory is completely missing. You have to rely on others' versions, and your body can suddenly reveal things your mind can't make sense of.
You are the woman who wakes up and knows nothing. But you decide who to believe. In "The Harbor City and the Forgotten," you determine whether to follow the notes of your former self or the tenderness of the man who visits you every day. You are not passive – you dig into your own past, sentence by sentence.
That depends on your choices. In our stories, there's no fixed timeline. You can overlook clues or be led in the wrong direction. The memory returns in fragments – a scent, a song, a touch – and you have to decide whether to trust those fragments or not.
You're lying in a hospital bed, fourteen months of your life are gone. A man holds your hand and calls you by name. But in your own notes, something else is written. Begin the search for the truth – before your heart lies to you.
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